Copying television programmes and music tracks around is a very social thing. Not so many people do it using their computers just now, but I'll wager that's because it's fiddly, rather than because it is socially terribly unacceptable.
We've been copying and sharing media around for a long time. You can go back to home taping, which plainly never managed to kill music. But you can go back a lot further than that: to the fireside, to the cave wall, to an oral tradition of storytelling and art that far outstrips today's commercial structures for copyright.
Lots has changed since then, but storytelling is still at the heart of it.
More on Socially acceptable copying…
I've been shopping for a new DVD player recently, and have been quite surprised by the attitude of so many shops when I ask which of their players are multi-region.
I'd really like a multi-region DVD & Blu-ray player, but that hardly seems like an option. I expect I'll get an encumbered PS3 later on, and a multi-region DVD player now.
A typical response from shops that sold decent electronics was 'We don't sell that sort of thing' and to suggest I try a cheaper, dodgier part of town.
This is tricky for me as I'm looking for two distinct kinds of quality. I want both:
- a well designed, constructed and built machine, with particularly good upscaling to 1080p, so it looks good on our HD telly.
- a lack of anti-user features that will mean some of the discs I own won't play because of where in the world they were originally sold.
They are both about a smooth and pleasant user experience, but one is the side of that the industry pushes, the other is about how the industry tries to segment markets in both time and space.
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A couple of weeks ago, Matthew Cashmore of backstage.bbc.co.uk published a very interesting interview with Anthony Rose, head of Digital Media Technology at the BBC.
I was impressed by Rose, generally. He seems to be pretty clued up about what's possible with the technology, which I suppose is no great surprise given his background at Kazaa. I'll get into some of the contradictions I see in what he says in another post, but first there is one comment he made that particularly grates.
He says, just over 2 minutes in (emphasis mine):
The good news is, as you move to streaming, at this time, there's no requirement for DRM.
…
We put quite complex back-end controls to make sure that our rights-holders' rights are still protected. In other words the content is only available in the UK, and we make it hard to nick the stream.
More on Recording television is not theft…
The BBC have a great new Web site – BBC Programme Support (more info from Tom Scott of the BBC). This is especially good for Web nerds like me, but it will help make link-centric television work for Real Human Beings, too.
There are a few quirks in how things are listed right now but I'm sure they'll shake out in due course. What's great about this service is that the Beeb is committing to long-term, stable URIs for their programmes, with a single, clear link for each show, irrespective of how and when it is shown or repeated.
[Via Chris]
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So, Google are shutting down their DRM-backed video sales and rental service. Instead of giving customers the video they 'bought' or a proper refund Google are giving them a "bonus" voucher to spend through Google Checkout, which rusts in 60 days.
Back in the day, we understood the simple cases of:
- you have bought this
- you have borrowed this
- and, you have rented this
DRM intends to make the middle case go away, and skew the first to be a wierd and different thing. If we choose to build technology that breaks these norms, we're going to need much clearer language than 'download-to-own' and 'buy' to cover all of the new possibilities for worse-than-before media.
More on Google un-sells videos…
Following Chris' lead, here's a gaggle of films that Mary & I are going to later this month in Edinburgh.
I'm also excited to be going to the Un-Festival, organised by Ian Forrester, catching some decent comedy and generally being up in such a lovely city, even while it is wearing a clown suit.
More on Edinburgh Festivals…
Tagged: Media, Social, Upbeat
Posted at 08:29 EDT, 4th August 2007.
Television has long lived in a world where viewers watch television just as it is transmitted, just where they live.
That's a fantasy world, and becomes less and less realistic every day. Technology for time- and place-shifting content around has got pretty good in the last thirty-odd years.
Watersheds on television are thoroughly hooked on the idea that the people who can watch something that was broadcast in the evening are responsible & mature. Anyone who is technically savvy, and thus most likely any enterprising kid with access to the internet, can fetch practically any programme, from anywhere in the world.
More on Futile watersheds…
Tagged: Media, Social, Distribution
Posted at 03:52 EDT, 16th July 2007.
Socially acceptable copying
Copying television programmes and music tracks around is a very social thing. Not so many people do it using their computers just now, but I'll wager that's because it's fiddly, rather than because it is socially terribly unacceptable.
We've been copying and sharing media around for a long time. You can go back to home taping, which plainly never managed to kill music. But you can go back a lot further than that: to the fireside, to the cave wall, to an oral tradition of storytelling and art that far outstrips today's commercial structures for copyright.
Lots has changed since then, but storytelling is still at the heart of it.
More on Socially acceptable copying…
Tagged: Social, Media, Distribution, Technology
Posted at 06:59 EDT, 26th May 2010.
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